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One of the quilters who commented on Pat Sloan’s blog after the interview on Creative Talk Radio asked about printing on dark fabric with Inklingo. It is a great question and an opportunity to describe some smart Inklingo strategies.

One of the 20 Inklingo colors will show on the wrong side of most fabrics.

Printing a small test page (above) will help you decide which page/color to use on any particular fabric.

A black batik might be one of the most difficult fabrics to print, but color 05, 35, or 46 may show well enough, especially if you print with a photo setting (below).

The test procedure is described in the first chapter of The Inklingo Handbook, “Printing with Inklingo.”  That chapter is included in the FREE Inklingo shape collection.

WISE BUYS  Always look at the wrong side of a dark fabric before you buy.  If you have a choice among several suitable darks, choose the one that will be the easiest to print. Many very dark fabrics are light on the wrong side, so Inklingo ink colors show easily.

Even before Inklingo, I always checked the wrong side of a fabric to make sure it could be marked with a pencil, just in case I wanted use it for hand piecing instead of machine piecing. It is amazing how many deep, dark fabrics are light on the wrong side.

GOOD EYESIGHT  You may be able to see a faint line if you use good lighting, sew with the lighter fabric facing you, and wear reading glasses, like Monkey.

PRINT WITH “BEST” SETTING  If an Inklingo color shows almost well enough, try printing on the “photo” or “best” setting in the print dialog box. It lays down a little more ink. (Otherwise, I prefer to use the “normal” or “everyday” setting.)

ONLY PRINT THE LIGHT FABRICS  As strange as this sounds, this is a really smart way to use Inklingo. Often, you don’t need to print all of the shapes.

In many cases, only one of two or more fabrics is printed with Inklingo.
Minimal printing saves even more time!

DOUBLE WEDDING RING (DWR)

There are many examples with triangles and other shapes, but one of my favs is Inklingo Double Wedding Ring. If you are sewing the arcs by machine, you don’t need stitching lines on every arc piece. Print one fabric. Choose one that is easy to print, like this yellow (not the darkest fabric).

Layer the printed sheet with 3 or more unprinted fabrics, and cut on the solid lines with a rotary cutter. No measuring. No templates. Perfect angles. Perfect curves. The printed layer of fabric is like a template—which you use in the quilt! The unprinted fabric can be as dark as you like. The unprinted fabric can even be scraps, or fabric that has already been strip pieced.

This Inklingo method is called “Layer to Cut” and it works for all kinds of shapes. It is described in The Inklingo Handbook (pages 60-61 and 70-71), using Half Rectangle Triangles (HRT) as an example.

HALF SQUARE TRIANGLES (HST)

Here is another example. Only some of the triangles are printed for Half Square Triangles (HST). The second fabric can be as dark as you like, because you are not going to print it anyway.

For HST, we only print one of the two fabrics, layer the printed fabric with an unprinted fabric, and stitch on the lines before we cut the triangles apart. This is called “Stitch and Cut” in The Inklingo Handbook and is also illustrated in the FREE Triangle Tips PDF on the web site. There is video in this earlier blog entry.

Flying Geese require just one of two fabrics to be printed, so you don’t need to print the dark one. This is illustrated in an earlier blog entry too.  

TRADITIONAL MARKERS  If you require the stitching line to be marked on the dark patches (for example, for hand piecing), and none of the 20 Inklingo colors show well enough, you can print the Inklingo templates without seam allowance onto freezer paper and mark the seam lines with a white pencil or other traditional marker. If you buy wisely, this will rarely be necessary.

Hand piecing with freezer paper templates is described in detail in my Quilted Diamonds books. (There is also an excellent DVD lesson with Jane Austen’s Writing Table Quilts at a ridiculously low price right now.) Some quilters who would like a portable project—but don’t like all the prep—are enjoying hand piecing now because Inklingo makes it so easy to get everything ready.

If you haven’t tried Inklingo yet, you can print your first sheet of fabric in the next few minutes with the free shape collection. Start here.

ENTER TO WIN  Remember that if you listen to our chat with Pat on the Creative Talk Radio Show and leave a comment on Pat Sloan’s blog by Friday, you could win a prize. (Details in this previous message.)

Monkey and I love getting questions like this. Do you have one?

Thank you for visiting again today.

Linda & Monkey

PS The sale prices on the 5 new Storm At Sea shape collections end today.

3 Responses to “Inklingo on Dark Quilt Fabric”

  1. Cathie in Ut says:

    thanks for the info on using Inklingo with dark fabrics. My biggest problem with layer and cut is to avoid the shifting that I seem to have problems with. Just have to be more careful I guess.

  2. Pam Ingle says:

    Hi Cathie,
    Have you tried a spray on product called 505 Spray and Fix?
    This is a temporary fabric adhesive that is odorless, spotless, stainless and colorless. It does not gum up needles when sewing. It is used to baste one layer of fabric (or batting) to another. Print on one sheet, the “baste” to another non-printed fabric with 505. Smooth the two together, cut out, then sew once side. Pinless, no slip piecing. It is a wonderful product that I purchased for use in machine embroidery/quilting, but found it very useful with Inklingo Pies and Tarts.
    Pam

  3. […] fabric, layer that printed fabric on top of the black, then cut out the shapes in both fabrics. Linda has a great blog post on this technique. This is what the white printed fabric on top of the unprinted black looks like […]

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